Thursday, November 26, 2009
What Does it Mean to live Above the Frost Line? This photo, taken by Lynn Hamilton Rutherford, Gives you the Answer.
THANKSGIVING DAY FROM ABOVE THE FROST LINE
Saturday, November 21, 2009
Sunday, November 15, 2009
The Best Christmas Gift - GIVE A BOOK
Thursday, November 12, 2009
Red Leaves Across the Blue Ridge Photo taken Nov. 12, 2009 Ourside the bank in Hayesville, North Carolina
Wednesday, November 11, 2009
Army Ranger Pearson Reid Brantley


Sunday, November 8, 2009
The Mole on the Pavement
THE MOLE ON THE PAVEMENT
by Nancy Simpson
We thought you loved the dark,
thought you had a good life
in your underground world,
but we learned different
early this morning
finding you frozen,
your thick hands held out.
We had nothing to give you
so we pretended piety
and walked away rationalizing:
He thought he could dig through asphalt.
He forgot mornings are cold here.
He wanted to live on the other side.
Thursday, November 5, 2009
Weather Report Above the Frost Line 11-5-09

Tuesday, November 3, 2009
Bio - Poet Heather McHugh

Exuding a love of language, wit, and observation, McHugh creates poems that are profoundly intelligent. Through the use of puns, rhymes, and syntactical twists, her work is an ongoing inquiry into the ways language can aid and impede participation in life. “I write because I want to find out what was bothering me . . . I’m not sure what it is that wants to be said, but I’m there to be its scribe,” says McHugh. “Almost always I’ve seen some pattern. Then comes a rocking and a humming. I find language to document that play of patterns in the world.”
In her book The Father of the Predicaments (1999), McHugh takes her cue from Aristotle, who wrote that “the father of the predicaments is being.” The book opens with a long poem about a loved-one dying and the limits of speech: “What did she mean? All I can call upon/is words—unsatisfactory to say/the least—a nomen always aiming/for amen, a pupil meaning/well, pre-emptively.”
McHugh’s honors include two grants from the National Endowment for the Arts, the Griffin Poetry Prize, and a Guggenheim Foundation fellowship. In 1999 she was elected a Chancellor of The Academy of American Poets. McHugh is Milliman Distinguished Writer-in-Residence at the University of Washington in Seattle. She frequently teaches as Visiting Professor at the Writers' Workshop in Iowa and has held chairs at the University of California at Berkeley, the University of Alabama, and the University of Cincinnati.
Selected Works
Dangers (1977)
A World of Difference (1981)
To the Quick (1987)
Shades (1988)
Hinge & Sign: Poems 1968-1993 (1994)
Broken English: Poetry and Partiality, essays (1993)
The Father of the Predicaments (1999)
Glottal Stop: 101 Poems of Paul Celan, translation with Nikolai Popov (2000)
Cyclops, Euripides, translation (2000)
Monday, November 2, 2009
Poet Heather McHugh Wins Mac Arthur Fellowship
Nancy Simpson says: Hello Followers. Heather McHugh was the poetry professor I worked with in the Warren Wilson M.F.A. Writing Program.

Congratulations to Heather McHugh for receiving the $500,000. Mac Arthur Fellowship Award. Read more.
Thanks to the blogpoesy galorefor this news. Blogpoesy
reports:
"I’m delighted to learn that Heather McHugh, published in 32 Poems, won aMacArthur (aka genius grant) fellowship. The poem we published by McHugh is entitled “Ill-Made Almighty” and was republished in Best American Poetry. I’ve been reading her since a mentor during my college years lent her book to me, and it’s a thrill to have published her and to see her win this life-changing award of $500,000."
From the press release:
This past week, the recipients learned by a phone call out of the blue from the Foundation that they will each receive $500,000 in “no strings attached” support over the next five years. MacArthur Fellowships come without stipulations and reporting requirements and offer Fellows unprecedented freedom and opportunity to reflect, create, and explore. The unusual level of independence afforded to Fellows underscores the spirit of freedom intrinsic to creative endeavors. The work of MacArthur Fellows knows neither boundaries nor the constraints of age, place, and endeavor.
Sunday, November 1, 2009
Saturday, October 31, 2009
Two Poems by Glenda Council Beall, Poet of the Month for October 2009
The sensuous words of Glenda Beall’s poems carry the reader into unforgettable landscapes: the richly textured scenes of the rural south and those of the human spirit with its joys, challenges, and yes, its music.
Janice Townley Moore, author of Teaching the Robins, and winner of the Press 53 Poetry Award for 2009
Ballet in the Piney Woods
Little girl sunsuits littered the wiregrass.
Summer warmed small bronze bodies
that danced on the stage of a fallen oak,
to songbirds’ music from the mayhaw.
They felt, at five, the kiss of butterflies
upon their eyes, breathed honeysuckle air.
Like sylphs set free they twirled, arms open,
gathering the breeze against their bareness.
Chastised for their boldness by older girls
who barged into their glade,
the innocents saw themselves
and were ashamed.
Lift Your Glass
From the vineyard,
she burst forth
with a hint of blush,
a touch of dew
upon her cheek.
Battered by winds, rain and time,
rooted deep, she toughens
to a satiny sheen.
Finally, crushed by adversity
she emerges, life's
finest nectar.
Drink a toast to woman.
Previously published in Red Owl Magazine, 1999)
Here is more Glenda Counci Beall pubishing information.
Poems:
"Big Sur" - Storyteller magazine 1996


